A mural by graffiti artist Banksy has appeared on a bridge in Hull.
Speculation about the artist's identity was rife after the work, on a disused river crossing, was spotted by passers-by on Thursday.
The stencilled design depicts a child carrying a wooden sword with a pencil attached to the end, under the text "Draw the raised bridge!"
Images of the mural were shared on Banksy's official Instagram account on Friday.

The elusive street artist posted two photos of the permanently raised bridge, situated on Scott Street in the Wincolmlee area of the city. Source: BBC

For drivers on the M25, they know they're between junction 16 and 17 in Buckinghamshire when they spot the seemingly random message "GIVE PEAS A CHANCE" on a motorway bridge.Image caption It was an odd slogan The person who did it chose a historic bridge. Built between 1902 and 1906, it is the only Edwardian brick bridge on the M25. A historic building report done by Oxford Archaeology says the slogan was painted in two stages. Firstly "PEAS" appeared, then "GIVE" and "A CHANCE" were added later.

It says "PEAS" is the tag of a London graffiti artist and his tag can been seen in many other locations, particularly on bridges. The additional text changing the graffiti to read "GIVE PEAS A CHANCE" is thought to refer to his continual arrests.
The north facing side of the bridge also has some graffiti, saying just "PEAS06".

"The common misinterpretation of the inscription makes the bridge an interesting landmark to users of the M25," says the report.

​Street artist Banksy has left a half-term surprise "present" on the walls of a Bristol primary school.
The elusive artist composed the mural at Bridge Farm Primary after it recently named a school house after him.
It was discovered as teachers returned from the half-term break along with a letter saying "it's always easier to get forgiveness than permission".

Odeith was born in 1976, in Damaia (Portugal). He held a spray can for the first time in the mid 1980s, but it was in the 1990s, when graffiti began its dissemination throughout Portugal and began to leave its Portuguese birthplace, Carcavelos, that the artist had his first contact with graffiti and its movement. His first experiences were sketched on street walls and train tracks and so the passion he had always shown for drawing had a newly found purpose and began evolving. Not long after, came the opportunity to paint large scale murals in Damaia, Carcavelos and in many social housing neighbourhoods, such as Cova da Moura, 6 de Maio and Santa Filomena.

Early on, the artist showed a special interest in perspective and shading, in an obscure style, which he later called “sombre 3D”, where the compositions, landscapes or portraits, messages or homages, stood out for their realism and technique.

Odeith was, in 2005, internationally recognized for his groundbreaking incursions in the anamorphic art field, standing out for his compositions created in perspective and painted in different surfaces, such as 90º corners or from the wall to the floor, creating an optical illusion effect.

In 2008, he decided to close his tattoo studio (which he opened in 1999) and moved to London.

Currently, back in Lisbon, he assumed painting as his main activity, having created large scale murals for major national and international enterprises such as the London Shell, Kingsmill, the Coca-Cola Company, Estradas de Portugal, Samsung, Sport Lisboa e Benfica (football club) and several Portuguese city halls such as Câmara Municipal de Lisboa and Câmara Municipal de Oeiras, amongst others.

Amid all the events he participated in, we highlight: Meeting of Styles (Alemanha), Museum of Public Art (Louisiana, EUA), MuBE – Brazilian Museum for Sculpture (São Paulo, Brasil), 1st Bienal del Sur (Panamá) and the Berardo Collection Museum’s 2nd anniversary party.